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(Above) The Last Supper painted by Tiziano. (Below) The presumed
true Sacred Chalice guarded in the Cathedral of Valencia:
the archaeologists believe it dated back to the epoch of Christ.
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Whatever Christian
knows the meaning of the chalice of the Eucharist: we can say
without fear to be denied by some theologian that the Eucharist
is the culminating moment of the mass and the absolute center
of the doctrine publicized by the followers of Jesus Christ.
According to the native form of Christianity, remained in the
Catholic rites, Jesus during the Last Supper the night before
its crucifixion broke the bread, poured the wine to the disciples
and said them that what they were eating and drinking was his
body, his meat and his blood. The Gospel, in origin were about
twenty, carefully explained these details, but subsequently
was analyzed and purged by St. Paul according to a secret project
that partly we have explained in our article about the Mitraism,
fundamentally losing precious useful details to the understanding
of that gesture. In substance, Jesus, aware of his imminent
end, distributed to the first Christians or the apostles and
the followers, the tools that would have guaranteed them the
union with the divine one and therefore the salvation of the
soul: the Communion, note the man's union with the divine one
through feeding with his body. If a lot of religions, Islam
in primis, are aghast from this cannibalistic aspect (the Church
has more times confirmed as the bread and the wine of the communion
are REALLY the blood and the meat of Christ), nevertheless this
union with the divine one is possible only through the direct
contact, almost an assimilation of the body by now next to the
undoing of the divinity. The deep spirituality generating from
the suffering of that that is called, in the Rolls of the Dead
Sea, Yoshua ben Yosef, it can be liquidated the everything as
a grisly exercise of masochism. Points of view, everyone is
free to believe in what wants and we of Sator ws don't want
to enter in the legitimacy of these choices, that belong to
the most important nucleus of the present human rights in each
one. What presses us to clarify is as the Christianity is integrally
supported for many centuries, rather still today, on the cult
of the Passion and the relative relics, that as the cult of
the saints somehow meeting has come to the demands of the anxious
believers to touch with hand the aspects of the divine one.
So, among hands, hearts, heads, locks of hair and saints prepuces
of the same Jesus as well as of saints and apostles (as the
wood fragments of the true cross or the nails of the crucifixion
used for making an example in the Iron Crown guarded to Monza)
in the Middle Age it assumed a primary role the relic most important
in absolute. It was the native chalice of the Eucharist, the
cup used by Jesus in the Last Supper and the day later used
by his uncle, Joseph of Arimatea, to pick up the blood of the
man-god that escaped from the wound to the costs caused by the
lance of the centurion Longinus. A blood and water mixture,
a blood therefore in the way of purification, as well it tells
the Gospel of Nicodemo. That same cup would have subsequently
assumed miraculous powers, divine, capable to give the eternal
life (and the salvation) to whoever had drunk it. Well soon
the native cup assumed a precise name, became famous in the
cycle of the tied up chivalrous novels to king Arthur, the famous
Matter of Brittany. |
| It is called Grail, Saint Grail:
a dark etymology, perhaps from the Latin word "gradalis"
- "vas gradale", that was the container in which the
garum sauce was picked up to the time of the Romans, perhaps
from the medieval religious term "graduale" (what
the liturgical reading was during the mass) or perhaps from
the word proto-french "gré" that means thankful,
pleasant. For other Grail is a Breton term, graaus, for other
again it designated in origin the bowl from which is drunk in
common still today in the parties and that is used in the Aosta
Valley, the "grolla". But a millennium after the death
of Christ, is it possible that the etymological and legendary
elements were only those native foreman-Christians? No, absolutely.
The key concept of the salvation cup grafted it on preexisting
myths, as the Greek cornucopy or the Celtic cauldron, the "Stone
of the Exile" of the Jewish cabalistis that it designates
the Shekinah (the demonstration of Yahweh in the material world)
and again, in India, the urn set in the forehead of Shiva that
symbolizes the Third Eye that allows the internal vision. There
was also the Amonga cup , the magic cup of the Sarmatis that
lived in the steppes over the Caucasus that was said they were
in contact with the Amazons; there was then the myth of the
gifts of the people of the Tuathas of Danaan, invaders (extraterrestrial)
of Ireland that brought in gift to the mankind four gifts: the
Sword of Nuadu, king of the Fomors, the Lance of Lug, god of
the Sun, the Stone of Fal of the knowledge and finally the Cup
of Dagda, the king of the gods. These became then the seeds
of the playing cards and the tarots: the Christian religious
syncretism made the rest. The sword became the Durlindana of
the Christian paladin Orlando, in struggle beside Charles Magnus
against the Saracens; the lance note was in partnership to that
of the centurion Longinus (and it is guarded still today in
Wien with the the name of Heilige Lance), the stone became the
philosophical stone that turns the iron into gold and the cup
it was note associated to the eucaristic chalice. |
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(Above) The Heilige Lance in Wien, considered the "Lance
of Longinus".
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The first one to speak of Grail, rather for
the exactness "grail" minuscule, was the Provenzal
writer Chrétien de Troyes in the famous "Perceval
le galloises ou le conte du Graal". In this chivalrous
novel appear so much the cup understood as container of the
blood of the Christ, as the concept that the same cup can
bring the salvation to the world: the history that Chrétien
writes in the middle of the Twelfth Century is that of the
planet Earth that is upset by a dreadful famine, the wasteland,
to which only King Arthur can set remedy drinking from the
cup of the king of the kings. Arthur symbolizes the human
king in contact with the divine one. A nobility of mind and
blood that draws his strength and ability of protection from
a right "of blood" to govern and to cure the wounds
provoked in the world by the dangers that spring from the
Evil. It would be too much complex to speak of the symbolic
meaning of the Matter of Brittany, a metaphoric language behind
which the same history of the human kind. We say that the
Grail, the cup of Jesus, becomes the container of the wisdom
and the salvation, the tool through which the illuminated
man can ask the intervention of God. However, the things are
not so simple. If it is clear since the works of Chrétien
de Troyes that the cup is accessible only after innumerable
initiating tests and a run of evolution of the soul, already
near the contemporaries it assumes a different values. In
his "Parzifal" Wolfram von Eschenbach, already from
us broadly quoted in our Dossier in the article related to
the sanctuary of Montserrat in Catalogna, clearly affirmed
that it doesn't deal with a cup, but of a stone. The Grail
is one "Lapsit Exilis", that could mean so much
"fragile stone" how much "stone from the sky"
(exilis = ex coelis) and this detail is very indicative. In
fact in the theology of Wolfram it refers to the revolt of
the angels headed from Lucifer and to their fall from the
sky: the Grail is an emerald, the third eye of Satan that
falling on the Earth has lost it and exactly with this fact
lost the ability of superior vision of the reality. Subsequently
the Grail was faceted by the archangels and it assumed the
features of a cup or a hexagonal basin.
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In Genoa the Sacred Basin is guarded, a basin of green
glass in past retention of emerald that to the eyes of the Genoeses
it represented the Grail described by Wolfram von Eschenbach. The
point however it is that if the Grail is a stone fallen from the sky,
similar therefore to the black stone guarded in the Ka'Ba to the Mecca,
the characteristics of the relic decidedly change. As the stone of
Fal, the Grail is not a key for the immortality but means for the
trasmutation to the scurvy subject in divine subject: the iron in
gold, the human soul in divine essence. The cup-stone assumes so a
christic role , it is the same Jesus: rather it is the tool that Satan
misses to conquer the world and its possession, it is able to decide
the fates of the world and the universe. The following novels of the
cycle of the Grail as the "Lancelot" of Rober de Boron or
the "Peredur" and the "Perlesvaus", accent this
aspect. Here returns the concept of magic object, able to establish
the fates of the world, and it is this the meaning that gave to the
cup of the Eucharist during the Romanticism the musician Richard Wagner
in the work "Parsifal", that so much influence had later
on the Nazi the century after. It is in effects, the wagnerian music
brought the foolish searches of the Grail in "Indiana Jones style"
from the SSs of Adolf Himmler comprehensive of accounts dreamt facts
to the "poor" Adolf Hitler, been orphan of its definitive
weapon for the conquest of the Earth. But the key of the Grail is
perhaps really the last interpretation of the Nazi; it is not the
reference to the cup of the Last Supper, but to something more ancient
and really explosive able to change the fates of a war. The constant
and continuous reference of the Gothic cathedrals that the relationship
puts the cup to the Templars Knights makes to think about the Grail
to something of legacy to the Solomon Temple in Jerusalem: the Ark
of the Covenant, that don't forget was able to destroy whole cities
or to lighten whoever touched it without protections! Is this the
true aspect of the Grail, a technological object that according to
some heterodox researchers was guarded to the times of the Pharaons
in the Great Pyramid of Giza and that Moses stole during the escape
of the Hebrews from Egypt?
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(To
the left) The Saint Grail clearly represented on the façade
of the church of the Big Mother of God in Turin. The statue
of the Reason, that lifts the chalice, points out where also
the point to find it. (To the right) The Grail represented on
a glass window of the Sanctuary of the Black Madonna of Montserrat
in Catalunya. For the Nazi this was the famous Castle of the
Grail, but their searches didn't have result. (Below, to the
left) The Saint Grail as it appears in the film "Indiana Jones
and the Last Crusade": simply "a carpenter's cup". (Below, to
the center) The Templars were accused to adore an object similar
to the Grail. (Below to the right) King Dagobert I of the stock
of the Merovingis: it is said that they directly come down from
the "Real Blood" ("Sangreal") of Jesus. |
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To tell the truth, there is another
thesis, sustained by the world bestseller "The Da Vinci Code"
but in reality revealed to the world in 1982 from the book "The
Saint Grail" of Henry Lincoln, Michael Baigent and Richard Leight:
the Grail in itself doesn't exist, but it would be a line of blood,
in the fact the stock of Jesus that, married Mary of Magdala, he would
have produced at least four children whose descent would have given
origin still today to the stock of the Merovingis and to other existing
noble families. Grail would mean, according to this thesis, "royal
blood": in fact usually the word is always writing with the epithet
"Saint", "Saint Grail": in medieval Latin , Sanctus
Graal or Sang Raal, "Royal Blood." The blood of the kings
is that of King David of Israel, the davidic stock, the true descendant
from the first man Adam. The support tests of this thesis are so many
and amazing, to start from the ever clarified episode of the wedding
of Cana quoted in the Gospel. If Jesus is not dead on the cross, if
he gotten married and produced children, it is understood as the secret
of the Saint Grail becomes the more explosive and powerful tool to
disintegrate the world as we intend today. Tell to million of Christians
this lie for two thousand years it would be really a weapon more destructive
than an atomic bomb… But it is a hidden and dangerous secret.
Because if one make intellectual speculations on these theories, as
we allow, without second ends is philosophy and divulgation. If one
doesn't want to clarify the mysteries, if one write bestsellers without
having concrete evidence, is perhaps criminal. Neither Lincoln-Baigent-Leight,
neither their epigones and the celebrated Dan Brown, have gave this
evidence. Today we assist to the birth of many new religions based
on the marriage between Jesus and Mary of Magdala. Is it this the
sense of the Grail? A cup or an uterus, that of the Magdalena that
produced the children of Christ? According to us of Sator ws, we think
instead that a mysterious object exists, even really brought in gift
to the men from the gods, that guards to know and knowledge. A slender
stone, fragile, even a ante-litteram computer that contains notions
of other worlds, an object difficult to understand for simple minds
as those of the medieval servants of the glebe but that today also
for the common people could assume a finished sense. And it could
be also who knows perhaps a small object as a box, that Berengere
Saunière, priest of Rennes-le-Château, delivered to Antoni
Gaudì in 1896 (or 1915) so that it was walled in the crypt
of the Sagrada Familia in Barcelona…
Lorena Bianchi
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| (To
the left) In the crypt of the Sagrada Familia of Barcelona it
would be hidden a box delivered by Berengere Saunière, priest
of Rennes-le-Château, to Antoni Gaudì perhaps in 1896. The French
priest was become extremely rich after having found, during
the jobs of restructuring of his small church on the Pyrenees,
documents and extremely ancient parchments that hid a inconfessable
secret. In few years the priest became friend of noble and men
of the freemasonry and tightened a depth bond with the lyric
singer Emma Calvé, impassioned of esoterism and tied up to many
cultural circles. Emma Calvé was also friend of Antoni Gaudì,
visionary architect that was changing the facing of Barcelona
in that years: and so Saunière decided to submit an important
object to the Catalan architect, guarded in a wrap of the dimensions
of a box of shoes, that he had recovered in the secret crypt
of his church. What was this object? Secret documents of the
dynasty of the Merovingis, that at Rennes-le-Château they had
an important center? Something coming from the presumed grave
of Jesus? Or the mysterious object that was guarded by the Catars
during the Crusade against the Albigesis and that four believers
brought away during the last battle from the Fortress of Montsegur,
lowering himself for hundreds of meters in the precipices around
the mountain? |
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Libri consigliati:
L'Eredità Messianica, Michael Baigent,
Richard Leigh e Henry Lincoln Ordina
da Macrolibrarsi
Il Codice Segreto del Grail, Tim Wallace-Murphy
e v. Ordina
da Macrolibrarsi
Il Santo Grail, Michael Baigent, Richard
Leigh e Henry Lincoln Ordina
da Macrolibrarsi
Il Mistero del Sacro Grail, Graham Hancock
Ordina
da Macrolibrarsi
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